tag:blogger.com,1999:blog-82483516523597702472024-03-13T17:16:34.457-04:00DIAMOND VARIATIONSSabrina Rattéhttp://www.blogger.com/profile/02022692985099591664noreply@blogger.comBlogger196125tag:blogger.com,1999:blog-8248351652359770247.post-8766240948935977852022-08-16T13:53:00.001-04:002022-08-16T13:53:41.365-04:00CPU DIE SHOTS<a href="https://higherinquietude.wordpress.com/2014/07/18/cpu-die-shots/">https://higherinquietude.wordpress.com/2014/07/18/cpu-die-shots/</a>
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Sabrina Rattéhttp://www.blogger.com/profile/02022692985099591664noreply@blogger.com0tag:blogger.com,1999:blog-8248351652359770247.post-75955201381689230252014-12-22T12:53:00.002-05:002014-12-22T12:55:16.808-05:00MOREHSHIN ALLAHYARI / In Mere Spaces All Things Are Side By Side I <iframe allowfullscreen="" frameborder="0" height="281" mozallowfullscreen="" src="//player.vimeo.com/video/108968300" webkitallowfullscreen="" width="500"></iframe><br />
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<span style="font-size: x-small;">“In Mere Spaces All Things Are Side By Side I” is the first in series of videos exploring the complex adoption and accessibility of the internet in a Developing country. Rather than thinking about technology from a position of privilege, it focuses on the gap, failure, limitation, and the frustration of access to technology.</span></div>
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<span style="font-size: x-small;">The videos are primarily inspired by my saved Yahoo chat histories from a 4 year long online relationship when I lived in Iran… but rather than delving into the relationship itself, it creates an imagined space between physical and virtual to connect the failure of the relationship to the failure of technology and communication.</span></div>
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Sabrina Rattéhttp://www.blogger.com/profile/02022692985099591664noreply@blogger.com0tag:blogger.com,1999:blog-8248351652359770247.post-54297559660968604932014-12-22T12:51:00.000-05:002014-12-22T12:51:12.778-05:00Peter Kirby - Binary Lives /Steina and Woody Vasulka - 1996<br />
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<iframe width="420" height="315" src="//www.youtube.com/embed/uYyR6EWbPC0" frameborder="0" allowfullscreen></iframe>Sabrina Rattéhttp://www.blogger.com/profile/02022692985099591664noreply@blogger.com0tag:blogger.com,1999:blog-8248351652359770247.post-72479140998101164252014-11-03T15:16:00.000-05:002014-11-03T15:18:52.903-05:00Jonathan Gillie // Analogue Compositions<a href="http://jongillie.tumblr.com/">http://jongillie.tumblr.com/</a><br />
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<iframe width="420" height="315" src="//www.youtube.com/embed/6_e29oj0LNw" frameborder="0" allowfullscreen></iframe>Sabrina Rattéhttp://www.blogger.com/profile/02022692985099591664noreply@blogger.com0tag:blogger.com,1999:blog-8248351652359770247.post-72625097868536977592014-09-19T14:39:00.001-04:002020-03-12T11:19:57.458-04:00Sightings: Littoral Zones, 2014<span style="font-size: x-small;">Really happy to announce the release of a new video series, <i>Sightings</i>, on the video label <a href="http://www.undervolt.co/Sightings-Sabrina-Ratte">Undervolt &Co.</a> </span><br />
<span style="font-size: x-small;">A new video will be released for streaming every week, and some posters and DVDs are for sale as well!</span><br />
<span style="font-size: x-small;">Here is Littoral Zones, the first video of the series. </span><br />
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<p><a href="https://vimeo.com/224997632">Littoral Zones- Sabrina Ratté</a> from <a href="https://vimeo.com/undervolt">Undervolt & Co.</a> on <a href="https://vimeo.com">Vimeo</a>.</p>Sabrina Rattéhttp://www.blogger.com/profile/02022692985099591664noreply@blogger.com0tag:blogger.com,1999:blog-8248351652359770247.post-61363655551612823122014-06-30T17:41:00.000-04:002014-09-19T14:40:38.663-04:00LE RÉVÉLATEUR / AFTERIMAGE SELVES<span style="font-size: x-small;">Here is a new video for <a href="http://lerevelateur.org/">Le Révélateur</a>, <i>Afterimage Selves</i>, a track taken from the full-length <i>Extreme Event</i>s, released by <a href="http://rootstrata.com/">Root Strata</a> on August 22nd (Europe) and September 2nd (USA).</span><br />
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Sabrina Rattéhttp://www.blogger.com/profile/02022692985099591664noreply@blogger.com0tag:blogger.com,1999:blog-8248351652359770247.post-84255470233876198752014-04-17T20:05:00.002-04:002014-04-17T20:29:27.194-04:00PETER CHAMBERLAIN / BED TIME STORIES FOR THE INNOCENT / 1982<div style="text-align: justify;">
<span style="font-size: x-small;"><a href="http://cinepoeme.blogspot.ca/2011/12/peter-chamberlain.html">A while back</a> I found this particular video on Youtube and I was thrilled; I didn't have much information about the artist, but this work alone was enough to be a great inspiration to me. A few months later, I realized that the video got removed and I was quite disappointed, but only until Mr. Chamberlain himself noticed the post on this blog and kindly wrote me an email about it. He gave me a little bit more insights about his work and very generously, he sent me a DVD copy including some of his video work from the same era. </span><br />
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<span style="font-size: x-small;">He says that this video was produced at one of many residencies at the <a href="http://www.experimentaltvcenter.org/etc-home">Experimental Television Center in Owego</a>, NY. The center started up in late 70's as a grant funded research and production center for experimental video. The mandate of the center was to design and build equipment to be housed in a lab that was cheaply accessible to artists. They had very competitive prices and a lot of artists applied for this residency. David Jones designed and built most of the equipment which was during the hybrid analog/digital transition days. </span><span style="font-size: x-small;">The totally synthetic imagery (no camera) of Chamberlain's work was produced by a system David Jones built for the center that basically converted analog waveforms from modified audio synth processors (8 analog inputs) into digital control signals (8 digital outputs). </span><span style="font-size: x-small;">Apparently, he is still building as David Jones Design...video switching matrixes, etc.</span><br />
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<span style="font-size: x-small;">Mr Chamberlain has been a musician for years, and he composed the music for all of his videos. He's also been teaching video art for the last 40 years and he even developed an electronic arts program at the university of Hawaii in 1991 where he is still today.</span></div>
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<span style="font-size: x-small;">Mr. Chamberlain is quite aware of the VHS quality of the transfer for this work and to quote him: "The occasional Glitches resulting from old age actually match up with contemporary glitch aesthetics...sort of curious."</span></div>
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Sabrina Rattéhttp://www.blogger.com/profile/02022692985099591664noreply@blogger.com0tag:blogger.com,1999:blog-8248351652359770247.post-30962446158193236042014-03-12T13:33:00.004-04:002014-03-12T13:35:09.737-04:00DEBORAH REMINGTON<div style="text-align: justify;">
<span style="font-size: x-small;"><i>“My work concerns the paradoxes of visual perception, the enigmas and quirks, and how it all forms the basis for our realities. The impact, excitement, and energies created by incongruity, juxtaposition and opposites all interest me.</i></span></div>
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<span style="font-size: x-small;"><i>The images are couched in paradoxical terms and must challenge the mind’s eye, must invoke opposites and hold them in tension. The work at times seems to refer to something in reality, but then the reference is denied. Identity; the fusion of so many experiences, so many inquiries, so many intuitions is also a primary issue.”</i> -Deborah Remington</span></div>
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Sabrina Rattéhttp://www.blogger.com/profile/02022692985099591664noreply@blogger.com0tag:blogger.com,1999:blog-8248351652359770247.post-66599269616171318032014-02-25T10:48:00.000-05:002014-02-25T13:30:43.387-05:00VISITES POSSIBLES<div style="text-align: justify;"><span style="font-size: x-small;">New video made for Computers Club, <i>Visites Possibles</i> embeds different electronic landscapes into the walls of an architectural space. "Entities" arise and disappear regularly throughout the visit, as if haunting this virtual environment.</span></div><div style="text-align: justify;"><span style="font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-size: x-small;">Special thanks to Roger Tellier-Craig for this stunning electronic score.</span><br />
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<a href="http://www.computersclub.org/"><span style="font-size: x-small;">http://www.computersclub.org/</span></a><br />
<br />Sabrina Rattéhttp://www.blogger.com/profile/02022692985099591664noreply@blogger.com0tag:blogger.com,1999:blog-8248351652359770247.post-14081008689437065112013-12-20T13:54:00.001-05:002013-12-20T13:55:39.833-05:00MATTHEW SCHLANGER / Before The Flood / 1985<i><span style="font-size: x-small;">Before the Flood is made up of recordings from at least 3 sessions at the Experimental Television Center. It is a three part piece, the first section was recorded in January 1985, the second section in one or two sessions in February, and the third part was recorded in March. With a little more generosity, each of the three movements could have easily been edited to stand alone.</span></i><br />
<a href="http://www.lumpybanger.com/"><span style="font-size: x-small;"><i>http://www.lumpybanger.com/</i></span></a><br />
<span style="font-size: x-small;"><i><a href="http://www.lumpybanger.com/">http://www.lumpybanger.com/</a><span style="color: #333333; font-family: arial, sans-serif;"><span style="line-height: 17px;"><a href="https://vimeo.com/user1702722">https://vimeo.com/user1702722</a></span></span></i></span><br />
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<iframe allowfullscreen="" frameborder="0" height="360" src="//www.youtube.com/embed/rHIY7KZn6mo" width="480"></iframe>Sabrina Rattéhttp://www.blogger.com/profile/02022692985099591664noreply@blogger.com0tag:blogger.com,1999:blog-8248351652359770247.post-56431217297725914972013-12-10T14:17:00.001-05:002013-12-11T13:47:38.024-05:00SPECTRAL NET // Undervolt & Co. Video Label<div style="text-align: justify;">
<span style="font-family: inherit;"><span style="font-size: x-small;">I am happy to announce the result of a year long collaboration with the amazing <a href="http://bmruernpnhay.com/">Brenna Murphy,</a> <a href="http://birchcooper.tumblr.com/">Birch Cooper</a> and <a href="http://le-revelateur.tumblr.com/">Roger Tellier-Craig</a>. I've been an admirer of Brenna and Birch's work for a while and this was a truly amazing experience for Roger end I to collaborate with them. Along the way, </span><a href="http://www.sodeoka.com/" style="font-size: small;">Yoshi Sodeoka</a><span style="font-size: x-small;"> started to work on a video label project, </span><a href="http://www.undervolt.co/" style="font-size: small;">UNDERVOLT&CO.</a><span style="font-size: x-small;">, and we thought this was a great context for Spectral Net to present the result of our first collaborative video series. I will also release some solo work on the label eventually.</span></span></div>
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<span style="font-family: inherit; font-size: x-small;">About Spectral Net:</span></div>
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<span style="font-family: inherit; font-size: x-small;">Spectral Net is a collaboration between Brenna
Murphy, Birch Cooper (Portland), Roger Tellier-Craig and me (Montreal). We have been working on parallel roads for a few years now,
mutually aware and admiring each other’s works during all this time. Our common
interest for digital and analog technologies, electronic sonorities and
visuals as well as experimental approaches have set grounds for this
collaborative project, which started in early 2013 and has since evolved to become
Spectral Net. Although our interests are very similar, our aesthetic and
the tools we use differ on many levels, which makes this collaboration an unexpected
and unique meeting between our two (or four) distinctive artistic approaches.</span></div>
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<span style="font-family: inherit; font-size: x-small;">For our first series,<span style="mso-spacerun: yes;"> </span>we focused on experimenting and
developing a language by generating and exchanging original work
to be used as source material by the collaborators. The analog and digital sounds were provided
by Roger and Birch who created a bank from which Brenna and I
could choose and add to our videos. The series of four videos, is the result
of the dialogue between these different approches to video and sound.</span></div>
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<span style="font-family: inherit; font-size: x-small;">Here is the trailer showing excerpts of the 4 videos, which in total make 20 minutes long. You can download the file for 5$ or donate what you judge fair here: <a href="http://www.undervolt.co/Spectral-Sequences-Vol-1-Spectral-Net">http://www.undervolt.co/Spectral-Sequences-Vol-1-Spectral-Net</a></span></div>
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Sabrina Rattéhttp://www.blogger.com/profile/02022692985099591664noreply@blogger.com0tag:blogger.com,1999:blog-8248351652359770247.post-85073543386795792472013-11-26T15:00:00.000-05:002013-11-26T15:02:07.621-05:00LONGUEURS D'ONDES <div style="text-align: justify;">
<span style="font-size: x-small;">Here is the result of the work in progress I talked about <a href="http://cinepoeme.blogspot.ca/2013/06/50-years-of-video-art.html">here</a>. It's a 1 minute video I made for the 50 years of video art, commissioned by CQAM. I used the <a href="http://www.lzxindustries.net/">LZX modular video synthesizer</a> to interact with the movements of the dancer. The context of this commission seemed like the perfect opportunity to pay an homage to many of my favorite video artists who worked with dancers and videos. <a href="https://www.youtube.com/watch?v=98fvPSNJHpw">Ed Tannenbaum</a>, <a href="http://cinepoeme.blogspot.ca/2010/11/erkki-kurenniemi-dimi-ballet.html">Erkki Kuriennemi</a>, <a href="http://www.fondation-langlois.org/html/e/page.php?NumPage=476">Woody Vasulka,</a> <a href="http://cinepoeme.blogspot.ca/2011/05/jean-piche-whispers-in-plane-of-light.html">Jean Piché </a>for example. </span></div>
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<span style="font-size: x-small;">Roger Rellier-Craig did a fantastic job for the music, and Claudine Hébert was the wonderful dancer.</span></div>
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Sabrina Rattéhttp://www.blogger.com/profile/02022692985099591664noreply@blogger.com1tag:blogger.com,1999:blog-8248351652359770247.post-80442956640247160832013-11-07T14:42:00.001-05:002013-11-07T14:42:58.891-05:00TAKASHI ITO<span style="font-size: x-small;"> "Film is capable of presenting unrealistic world as a vivid reality and creating a strange space peculiar to the media. My major intention is to change the ordinary every day life scenes and draw the audience (myself) into a vortex of supernatural illusion by exercising the magic of films." (Takashi Ito, in Image Forum, Oct.1984)</span><div>
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Sabrina Rattéhttp://www.blogger.com/profile/02022692985099591664noreply@blogger.com0tag:blogger.com,1999:blog-8248351652359770247.post-47342770204329232722013-10-01T13:14:00.002-04:002013-10-01T13:16:51.166-04:00PADDLES ON! the first-ever digital art auction at Phillips<span style="font-size: x-small;">Online bidding for Paddles On, the first-ever digital art auction at <a href="https://www.facebook.com/phillipsauction?directed_target_id=0">Phillips</a>, is now open on <a href="https://www.facebook.com/Paddle8?directed_target_id=0">Paddle8</a>.<br /><a href="http://paddle8.com/auctions/paddleson">http://paddle8.com/auctions/paddleson</a></span><br />
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<span style="font-size: x-small;">Phillips has partnered with Tumblr and curator Lindsay Howard to present Paddles ON!, a groundbreaking auction and exhibition that brings together artists who are using digital technologies to establish the next generation of contemporary art.<br /><br />Selected artists: Silvia Bianchi + Ricardo Juárez, Petra Cortright, Alexandra Gorczynski, Joe Hamilton, Ilja Karilampi, Brenna Murphy, Aude Pariset, Sabrina Ratté, Casey Reas, Rafaël Rozendaal, Nicolas Sassoon, Molly Soda, Kate Steciw, Mark Tribe, Clement Valla, Addie Wagenknecht, and Jamie Zigelbaum<br /><br />Auction<br />10 October 2013<br /><br />Exhibition<br />5 – 12 October 2013<br />450 Park Avenue, New York<br /><br />Online Auction<br />Powered by Paddle8<br />1 – 5 October 2013<br /><br /><a href="http://www.phillips.com/auctions/auction/PD010213">http://www.phillips.com/auctions/auction/PD010213</a></span><br />
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Sabrina Rattéhttp://www.blogger.com/profile/02022692985099591664noreply@blogger.com0tag:blogger.com,1999:blog-8248351652359770247.post-16545719521942933292013-09-26T12:44:00.002-04:002013-09-26T12:44:53.215-04:00TIM HECKER / BLACK REFRACTION<span style="font-size: x-small;">Here is a new video I made for <a href="http://www.sunblind.net/">Tim Hecker</a>. The found footage was chosen by Tim; I edited and applied the visual effects on it. <i>Black Refraction</i> is a track a his upcoming LP <i>Virgins</i>, via Kranky and Paper Bag. </span><br />
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<iframe allowfullscreen="" frameborder="0" height="375" mozallowfullscreen="" src="//player.vimeo.com/video/75460992?portrait=0&color=ffffff" webkitallowfullscreen="" width="500"></iframe>Sabrina Rattéhttp://www.blogger.com/profile/02022692985099591664noreply@blogger.com0tag:blogger.com,1999:blog-8248351652359770247.post-77131429726129406882013-07-01T13:52:00.001-04:002013-07-01T14:01:48.407-04:00MICHAËL GAUMNITZ / CARNET D'ESQUISSES / 1985<iframe width="480" height="360" src="//www.youtube.com/embed/14ac6YEEXQ0" frameborder="0" allowfullscreen></iframe>Sabrina Rattéhttp://www.blogger.com/profile/02022692985099591664noreply@blogger.com0tag:blogger.com,1999:blog-8248351652359770247.post-62084011370931526682013-06-26T11:48:00.001-04:002013-07-02T12:27:53.463-04:0050 Years of Video Art<div style="text-align: justify;">
<span style="font-size: x-small;">I am currently working on a one minute video commissioned by <a href="http://www.cqam.org/index.php?lg=fr">CQAM</a> for the 50 years of Video Art, event organized by <i><a href="http://www.instantsvideo.com/blog/en/archives/207">Les Instants Vidéos</a></i>. It will take place in Marseille next November. Here are some photos of the shooting, for which I could beneficiate of the <a href="http://www.oboro.net/en">Oboro</a> facilities, an art center in Montreal...</span></div>
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<span style="font-size: x-small;">The contemporary dancer is my good friend Claudine Hébert, with whom I already made some short dance videos <a href="http://www.52pickupvideos.com/HTML/Ratte_y3_Week1.html">HERE</a> and <a href="http://www.52pickupvideos.com/HTML/Ratte_y3_Week24.html">HERE</a>. I wanted to push further the exercise and experience working in a real "pro" setting. One minute is very short, so I might use the footage for more than one video! It was also a good opportunity to pay hommage to the great video artists who worked with dancers and technology like <a href="http://www.youtube.com/watch?v=d-yHULQ2V5c">Erkki Kurenniemi </a>, <a href="https://www.youtube.com/watch?v=98fvPSNJHpw">Ed Tannenbaum</a>, or with humans (<a href="http://cinepoeme.blogspot.ca/2011/05/ed-emshwiller-scape-mates-1972.html">Ed Emshwiller</a>) and body parts like this video of <a href="http://www.fondation-langlois.org/html/e/page.php?NumPage=476">Woody Vasulka.</a>..</span></div>
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<span style="font-size: x-small;">Here is the official version of the birth of video art taken from Les Instants Vidéos website:</span></div>
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<i><span style="font-size: x-small;">The year 63 was chosen as the starting point of this great history (which is far from being finish) in reference to a founding act made by the Corean artist Nam June Paik who exhibited his 13 “prepared” TV sets in the Parnass Gallery in Wuppertal in Germany, in the frame of a Fluxus event (Music/Electronic TV). The same year, the German artist Wolf Vostell screened his famous “Sun in your head” and the french Jean-Christophe Averty caused a scandal on television when he put a baby in a mill (“The green grapes”, October 63). These 3 artists give the proof of the international dimension of video art, its hybrids forms (video, television, computer, cinema, visual arts, music…), its insolent attitudes regarding the artistic rules in effect then. </span></i></div>
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<br />Sabrina Rattéhttp://www.blogger.com/profile/02022692985099591664noreply@blogger.com0tag:blogger.com,1999:blog-8248351652359770247.post-35107092605719941672013-05-15T13:47:00.003-04:002013-07-01T14:02:51.883-04:00THE LAND BEHIND<span style="font-size: x-small;">New video I made for <a href="http://www.safari.spamm.fr/">http://www.safari.spamm.fr/</a><br />
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Music / Roger Tellier-Craig<br />
Video+sound editing / Sabrina Ratté<br />
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Travel on an undefined territory where the illusion of a continuous tracking shot emphasizes an unreachable destination. Through the syncopated editing and multiple transitions, images of the area themselves become traveling entities, creating confusion on the level of the depicted space as much as with the level of its temporality.</span><br />
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<iframe allowfullscreen="" frameborder="0" height="381" mozallowfullscreen="" src="http://player.vimeo.com/video/63906221?portrait=0&color=ffffff" webkitallowfullscreen="" width="600"></iframe></div>Sabrina Rattéhttp://www.blogger.com/profile/02022692985099591664noreply@blogger.com0tag:blogger.com,1999:blog-8248351652359770247.post-59606161859380736522013-04-15T22:26:00.003-04:002013-04-15T22:26:27.729-04:00SPHERE 1-20 / SARA LUDY<iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/PF932TOruPw" width="560"></iframe>Sabrina Rattéhttp://www.blogger.com/profile/02022692985099591664noreply@blogger.com0tag:blogger.com,1999:blog-8248351652359770247.post-49627642294077356012013-04-11T12:19:00.000-04:002013-04-11T12:19:15.294-04:00MANFRED MOHR<iframe width="560" height="315" src="http://www.youtube.com/embed/THaQGTMWhFA?list=PL_0LKGAwYuw4NLwwITMkOTkSG5aiqyVuH" frameborder="0" allowfullscreen></iframe><br />
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<iframe width="560" height="315" src="http://www.youtube.com/embed/j4M28FEJFF8?list=PL_0LKGAwYuw4NLwwITMkOTkSG5aiqyVuH" frameborder="0" allowfullscreen></iframe>Sabrina Rattéhttp://www.blogger.com/profile/02022692985099591664noreply@blogger.com2tag:blogger.com,1999:blog-8248351652359770247.post-42226827486659753152013-04-09T13:21:00.003-04:002013-04-09T13:21:43.377-04:00SAM NEWELL<span style="font-size: x-small;">Very beautiful 3D effects done with the <a href="http://www.lzxindustries.net/introduction">LZX Visionary System</a>!</span><br />
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<iframe allowfullscreen="" frameborder="0" height="367" mozallowfullscreen="" src="http://player.vimeo.com/video/63296400?portrait=0&color=ffffff" webkitallowfullscreen="" width="500"></iframe><br />
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<iframe allowfullscreen="" frameborder="0" height="372" mozallowfullscreen="" src="http://player.vimeo.com/video/60873894?portrait=0&color=ffffff" webkitallowfullscreen="" width="500"></iframe><br />
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<iframe allowfullscreen="" frameborder="0" height="372" mozallowfullscreen="" src="http://player.vimeo.com/video/60149175?portrait=0&color=ffffff" webkitallowfullscreen="" width="500"></iframe>Sabrina Rattéhttp://www.blogger.com/profile/02022692985099591664noreply@blogger.com0tag:blogger.com,1999:blog-8248351652359770247.post-79015752548805968812013-03-19T12:03:00.004-04:002013-03-19T12:03:46.286-04:00INSIDE / VAN MCELWEE <div style="text-align: justify;">
<span style="font-size: x-small;">1986 - Dream and architecture merge in this work. A large mall is extended into an endless tunnel, which is then revealed to be a unit in a honeycomb of similar spaces.</span></div>
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<span style="font-size: x-small;">Producer, Director: Van McElwee</span></div>
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<span style="font-size: x-small;">Associate Producer: Lynnie McElwee</span></div>
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<span style="font-size: x-small;">Editor: Morey Gers</span></div>
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<iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/Li6tsO4U38s" width="420"></iframe><br />Sabrina Rattéhttp://www.blogger.com/profile/02022692985099591664noreply@blogger.com0