Showing posts with label 1982. Show all posts
Showing posts with label 1982. Show all posts

17.4.14

PETER CHAMBERLAIN / BED TIME STORIES FOR THE INNOCENT / 1982

A while back I found this particular video on Youtube and I was thrilled; I didn't have much information about the artist, but this work alone was enough to be a great inspiration to me. A few months later, I realized that the video got removed and I was quite disappointed, but only until Mr. Chamberlain himself noticed the post on this blog and kindly wrote me an email about it. He gave me a little bit more insights about his work and very generously, he sent me a DVD copy including some of his video work from the same era.





















He says that this video was produced at one of many residencies at the Experimental Television Center in Owego, NY. The center started up in late 70's as a grant funded research and production center for experimental video. The mandate of the center was to design and build equipment to be housed in a lab that was cheaply accessible to artists. They had very competitive prices and a lot of artists applied for this residency. David Jones designed and built most of the equipment which was during the hybrid analog/digital transition days. The totally synthetic imagery (no camera) of Chamberlain's work was produced by a system David Jones built for the center that basically converted analog waveforms from modified audio synth processors (8 analog inputs) into digital control signals (8 digital outputs). Apparently, he is still building as David Jones Design...video switching matrixes, etc.

Mr Chamberlain has been a musician for years, and he composed the music for all of his videos. He's also been teaching video art for the last 40 years and he even developed an electronic arts program at the university of Hawaii in 1991 where he is still today.

Mr. Chamberlain is quite aware of the VHS quality of the transfer for this work and to quote him: "The occasional Glitches resulting from old age actually match up with contemporary glitch aesthetics...sort of curious."


7.11.13

TAKASHI ITO

"Film is capable of presenting unrealistic world as a vivid reality and creating a strange space peculiar to the media. My major intention is to change the ordinary every day life scenes and draw the audience (myself) into a vortex of supernatural illusion by exercising the magic of films." (Takashi Ito, in Image Forum, Oct.1984)









23.2.13

SONIA LANDY SHERIDAN

Through her art, Sonia Landy Sheridan has investigated the inner landscape of her own intensely creative, and often playful, intelligence. Sheridan is known for her work with the new forms of technology that sparked the late-twentieth-century communications revolution as well as her experience as both an inspiring teacher and artist-in-residence at the 3M Company. Source of this text http://hoodmuseum.dartmouth.edu/exhibitions/2009soniasheridan/

More links:
http://soniasheridan.com/index.htm


1982 EASEL software; Cromemco Z-2D hardware; black & white video Showing the multi-dimensions
of the new graphic system. One of a Series.




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Stretching the Grid 1982 EASEL software; Cromemco Z-2D hardware. Capturing the program menu and morphing it. 







1982 EASEL software; Cromemco Z-2D hardware; black & white video Cycled color. One of a Series of 100.

1985 Cromemco Z-2D computer with a Cat 4 graphics card, a black and white surveillance camera, and EASEL software by John Dunn. This system was the first available graphics software for the PC.

18.1.13

"ElectrOgier" // GENEVIÈVE HERVÉ



This video is the first video-painting by Geneviève HERVE with her muse Pascale Ogier. It has been broadcasted by French television in January 1982 (in LES ENFANTS DU ROCK). http://genevieveherve.com/ Thanks to Video Circuit




1.7.11

BERNARD DEMIAUX

Si le cinéma apporte le mouvement, si la vidéo le feed-back, on peut dire que l'ordinateur apporte l'intéractivité et notamment la manipulation de symboles. Il faut utiliser chaque outil selon sa spécificité.

Nous travaillons surtout à partir d'une image synthétique que nous créons directement dans la mémoire de l'ordinateur qui permet, à partir de calculs complexes, de donner des règles de composition de musiques ou d'images.

Ensuite, par algorithmes adéquats, c'est l'ordinateur qui pourra choisir les images; l'artiste étant en position de réception, d'écoute, pourra déterminer ou laisser émerger les images qui correspondront le plus à son idée de création.

(extrait de la conférence faite à Imagina à Monaco en 1982 pour le Groupe Module Digital Art.)

Bernard Demiaux's website - click on the link to download the video

Feu d'artifice dans la constellation du signe - Paris 1978



Fugue en bleu pour Siloé - Paris 1979



Album de famille - Imagina Monaco - 1982

14.5.11

TOSHIO MATSUMOTO

These videos seem like a triptych to me... Amazing work.





27.11.10

VIRTUAL GALLERY

By Lillian Schwartz. From her book The Computer Artist's Handbook, 1992


(Accepted version of the MOMA poster, 1984)


(Dance of Matisse and Modigliani's Nude Observed by Me, 1985)


(MOMA Gallery 1, 1983)


(MOMA project images, 1982-83)

16.2.10

ERKKI KURENNIEMI


Erkki Kurenniemi, Blues in blues, 1982